The Powerplays behind “The Innocence of Muslims”
The Powerplays behind “The Innocence of Muslims”
by Thierry Meyssanv – Voltaire Network – Damascus (Syria) – 25 September, 2012
Israel’s big ploy moves ahead in the shadow of the demonstrations and reactions to the film “The Innocence of Muslims.” However, the appearance of Hezbollah on the scene has reversed the situation, which could prompt Tel Aviv to call off the operation.
The international reactions to the film by “Sam Bacile” are more and more incomprehensible if taken at face value, ignoring who is behind it and what their objectives are.
This provocation designed to instigate a clash of civilizations is very different from previous ones. It’s goal is not to stigmatize Islam vis-à-vis Western populations to elicit hatred toward the Muslims but is rather directed at Muslims to insult them and thereby incite hatred toward Westerners. This is not “Islamophobia”; it is “Islam-bashing” and its objective is to arouse anger among Muslims and direct that anger toward specific targets: those who in the U.S. or among their allies wish to interrupt the cycles of wars begun on September 11, 2001.
No one knows if the film, “The Innocence of Muslims,” really exists in full-length form. So far, only a thirteen-minute clip has emerged, the most offensive parts of which were dubbed over the soundtrack at a later date. First placed on YouTube, the video had no impact until it was diffused in Arabic by the Salafist television station, Al-Nas. Salafist groups then reacted violently but instead of attacking the station or its Saudi sponsors, they turned their ire on American diplomatic representatives.
The State Department was warned on September 9—two days before the release of the film by the Salafist television station—that several of its embassies would be attacked on the 11th. Yet this alert was not taken seriously and diplomatic personnel were not informed of the threat. The State Department had been expecting anti-American demonstrations to take place to mark the anniversary of the September 11th attacks.
It has since been established that behind the Benghazi mob, a commando was already prepared to attack the Consulate and then the fortified villa which was to be used as a safehouse in the case of a serious crisis.
The target of the operation was the U.S. Ambassador to Libya, Chris Stevens. This specialist in Near-Eastern Affairs was known both for his American imperialist views but also his anti-Zionist ones. This was confirmed by the special Palestinian negotiator Saeb Erekat as he deplored the death of a diplomat who had done much to comprehend the point of view of the Palestinian people and in turn make that viewpoint understood in Washington.
A second target was to be designated to punish France for having aligned herself with U.S. positions. Paris, in fact, refuses to let itself be dragged into a war against Iran and also refuses to get itself more deeply enmeshed in the Syrian quagmire. Consequently, a whole new provocation was launched, employing a satirical magazine that has for years relayed the Neo-conservative viewpoint within the French Left. Anticipating the consequences, France immediately suspended activity at twenty of its embassies and deployed heavy security around them.
At home, the French government presented itself as the guarantor of the freedom of expression. Accordingly, it defends the right of the enemies of Islam to indulge in blasphemous caricatures. But then, openly contradicting itself, the same government announced a prohibition of any demonstration hostile to the film or the magazine, thus denying freedom of expression to the defenders of Islam.
In the French tradition, freedom of expression is considered a foundational condition of democracy. It therefore is accompanied with prohibitions against libel and defamation seen as threatening to democratic debate. The main characteristic of “Innocence” is that it has no connection to historical reality and presents no critique of Islam. It is entirely composed of defamatory scenes. However, libel is not a human right. …more
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